While I have attended the readings for many years, this may have been the first time I went to the season kickoff, and I found myself more excited than usual. I suddenly realized that for me it was like finally getting to a concert on time instead of arriving late. And how fitting that the first reading featured four emerging writers hosted by an established name, nascent careers serving as a metaphor for a reading series at the beginning of a season, and vice versa.
Each of the writers read an excerpt of a story just published in the Virginia Quarterly Review, and Ann Beattie, the moderator, then asked each a question about their work. It was an enjoyable evening, and it whet my appetite both for reading the rest of each story and for attending more of the reading series.
As I was starting to think about these things while walking back to the Metro after the reading, I was struck by the luminous quality of the quiet autumn night on Capitol Hill.
The Hill takes on a different character at night, one not seen by camera-toting, t-shirt clad people spilling out of a caravan of buses. The brick sidewalks in deep shadow and streetlight, the quiet streets of Victorian and Federal row houses, the dramatic spotlighting of churches and Government buildings, are all starkly on display when the only sound is one's footsteps.
It was also nice to not feel such a bifurcation between my writer self and my photographer self and to sense an easier fluidity between the two. They may be different, but they're not oil and water.
It was a night of great expectations - for these four talented writers, for the reading series ahead, and for my own development in this new year. Thanks to PEN/Faulkner for doing so much to feed the literary community in D.C.!
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